A következő címkéjű bejegyzések mutatása: David Wagoner. Összes bejegyzés megjelenítése
A következő címkéjű bejegyzések mutatása: David Wagoner. Összes bejegyzés megjelenítése

2018. május 10., csütörtök

David Wagoner: The Silence of the Stars

When Laurens van der Post one night
In the Kalihari Desert told the Bushmen
He couldn't hear the stars
Singing, they didn't believe him.  They looked at him,
Half-smiling.  They examined his face
To see whether he was joking
Or deceiving them.  Then two of those small men
Who plant nothing, who have almost
Nothing to hunt, who live
On almost nothing, and with no one
But themselves, led him away
From the crackling thorn-scrub fire
And stood with him under the night sky
And listened.  One of them whispered,
Do you not hear them now?
And van der Post listened, not wanting
To disbelieve, but had to answer,
No.  They walked him slowly
Like a sick man to the small dim
Circle of firelight and told him
They were terribly sorry,
And he felt even sorrier
For himself and blamed his ancestors
For their strange loss of hearing,
Which was his loss now.  On some clear nights
When nearby houses have turned off their televisions,
When the traffic dwindles, when through streets
Are between sirens and the jets overhead
Are between crossings, when the wind
Is hanging fire in the fir trees,
And the long-eared owl in the neighboring grove
Between calls is regarding his own darkness,
I look at the stars again as I first did
To school myself in the names of constellations
And remember my first sense of their terrible distance,
I can still hear what I thought
At the edge of silence were the inside jokes
Of my heartbeat, my arterial traffic,
The C above high C of my inner ear, myself
Tunelessly humming, but now I know what they are:
My fair share of the music of the spheres
And clusters of ripening stars,
Of the songs from the throats of the old gods
Still tending even tone-deaf creatures
Through their exiles in the desert.

2017. július 25., kedd

David Wagoner: A Snap Quiz in Body Language

We can’t hear what they’re saying, but that man
is holding that woman in his arms. Your assignment
is to deduce their thoughts from what they do.
They’ve left no apparent space between their bodies.
It could be called a close embrace, but notice
her arms are at her sides, her hands relaxed,
her face impassive, while he’s whispering
something in her ear. His upper torso
is tilted slightly forward. Hers is yielding
but not in a way suggesting sweet surrender.
Is this a seduction scene? Is she being held
for questioning? Should she call a lawyer?
He’s looking into her eyes now. How wide open
would you say they are? What does he see in them?
If he were to let her go, class, what would she do?

2014. március 10., hétfő

David Wagoner: Lost

Stand still. The trees ahead and the bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.

2012. november 2., péntek

David Wagoner: An Assignment for Student Playwrights

I told them to go listen to people talking, 
To write exactly how some people really 
Talked to each other, and one young man 
Came to the next workshop, looking bewildered, 
Holding his notes by thumbtip and fingertip 
To avoid contamination. He said, “This 
Is how they talked. They weren’t actually 
Having a conversation, just interrupting 
Each other and saying whatever it was 
They wanted to k
eep on saying. They had to decide
Today, here and now, like whether to go on
With this, this whatever–it–was they couldn’t
Think of a name for. They kept looking
This way and that way, even at me (I wasn’t
Anybody, just some student scribbling),
But never at each other. You could tell
They felt bad. They were making up their minds
About something important enough to change
Their lives maybe forever. But what was coming
Out of their mouths wouldn’t have passed even
Junior high school English. They were both trying
To say what hurt, what was disappointing, what wasn’t
Even common courtesy, let alone love.
If they’d been actors, good ones, they’d have been making
Contact. They’d have been improvising something
More interesting than shoving their chairs back
And standing up and trying to split the bill
But dividing it wrong, dropping it, picking it up,
And arguing all the way out. Now what the hell
Am I supposed to make out of this crap?”